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Paul Bril Feudo di Rocca Sinibalda oil painting


Feudo di Rocca Sinibalda
Painting ID::  69079
Paul Bril
Feudo di Rocca Sinibalda
Medium oil on canvas Dimensions 155 x 220 cm

   
   
     

Paul Bril Hirschjagd oil painting


Hirschjagd
Painting ID::  69080
Paul Bril
Hirschjagd
Medium oil on canvas Dimensions 105 x 137 cm

   
   
     

Paul Bril Kestenlandschaft mit Hafen oil painting


Kestenlandschaft mit Hafen
Painting ID::  69081
Paul Bril
Kestenlandschaft mit Hafen
Medium oil on canvas Dimensions 107 x 151 cm Current location Galleria Borghese

   
   
     

Paul Bril Landschaft mit Sibyllentempel oil painting


Landschaft mit Sibyllentempel
Painting ID::  69082
Paul Bril
Landschaft mit Sibyllentempel
Medium oil on canvas Dimensions 11 x 17 cm

   
   
     

Paul Bril Hirschjagd oil painting


Hirschjagd
Painting ID::  70943
Paul Bril
Hirschjagd
Medium Oil on canvas Dimensions 105 x 137 cm

   
   
     

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     Paul Bril
     Flemish Baroque Era Painter, ca.1554-1626 Paul (1554-1626) and Mattheus (1550-1583) Brill (or Bril) were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican Seasons. Mattheus died young, and his brother continued his work around 1574. Paul painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or The Cowfield). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, spectacles). Some of these were collaborations with Johann Rottenhammer, who according to a dealer letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting (now Chatsworth House)

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     | Paolo Finoglio | Rachel Ruysch | Rudolph Swoboda |


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